Dive bars, honky-tonks and chasing Bourdain
Never turn down a chance to dine where Anthony Bourdain sampled life’s finest. And in this case, finest is used loosely — especially when it comes to dive-bar cuisine.
Dino’s in East Nashville is a far cry from white linen-draped tables and fine china, but it doesn’t make the food any less sought after. I kicked a recent visit to Nashville off with a great cheeseburger at the same worn counter where Bourdain had pulled up a stool years earlier. The place smells like decades of good decisions — grease, beer and something faintly smoky that clings to the walls like honky-tonk twang.
The burger arrived in a paper basket without ceremony, flanked by seasoned fries and an ice-cold drink. Overhead, a Dolly Parton cutout presided over the room beneath a disco ball and a tangle of Christmas lights.
There's something quietly sacred about eating in a place Bourdain loved. The man had a gift for finding the soul of a city, not in its five-star restaurants but in its dive bars, its lunch counters, its rooms where the barstools were held together by years of duct tape and luck. Dino's fits that description perfectly.
To keep the dive-bar motif moving, I crossed town to Santa’s Pub, where the Christmas lights stay up year-round because some places have earned the right to celebrate whenever they please. Santa’s beer list glows in neon on a chalkboard behind the bar, surrounded by a lifetime’s worth of holiday kitsch, snowmen figurines, a vintage cash register and a sign that cuts right to the chase: No Tabs. Cash Only. Two Drink Minimum.
It’s the kind of room where strangers become temporary friends over a cold beer and a favorite karaoke song. A photo booth tucked in the corner suggests that whatever happens there is worth remembering. Bourdain would have approved.
Robert's Western World is always a must-stop for me. The neon sign out front advertised Honky Tonk Heaven, and in that, they nailed truth in advertising. Inside, a row of cowboy boots gleamed under red light alongside framed portraits of country legends like Marty Robbins and Marvin Rainwater. Two of my dad’s all-time favorites. On the stage, a guitarist in a black hat (rumored to have a Grammy) leaned into the microphone with sweat rolling down his face and played like he had a score to settle.

Bourdain knew the best meals aren’t always the most expensive ones, and the best music doesn’t always come from the biggest stages. Sometimes it comes from a bar where the sound spills out the doors and windows, and the crowd is three-deep at all times.













